| |
THE
RED VIOLIN
A
Lions Gate Films release
review by
Joe Mauceri
THE
RED VIOLIN draws its cinematic narrative for the rich European storytelling
tradition of books like "The Canterbury Tales" and "The Decamaron."
The film employees a storytelling devise too often exploited by
genre films, and not used as effectively as it is here. THE RED
VIOLIN is a skillfully crafted, grand cinematic experience. Girard's
multinational production recounts the tale of the fabled red violin,
the last instrument crafted by Nicolo Bussotti. The film begins
as they put the violin on the block at the auction house. The story
interweaves the instrument's travels around the world with the mystery
behind its origins. The travels allow the audience a better understanding
of what the bidders' connections are to the violin. The past collides
with the present as Bussotti's housekeeper uses a deck of Tarot
cards to foretell the future. Like any good epic, they have wrapped
tragedy in a mystery, and it is all bound with a slight dash of
the supernatural. Girard crafts his scenes with a skill and grace
that creates cinematic poetry. The director's style unites the different
stories he chooses to tell. However, subtle differences allow each
vignette a slight distinctiveness that does not interfere with the
homogeneous nature of the film. Girard manipulates the narrative
and visuals to build suspense. He orchestrates the elements like
an opera or theatrical tragedy. As the credits roll, one feels compelled
to jump to their feet and shout bravo. The international cast of
talent ignites the screen. There is a wealth of talent that they
rarely bring together for a single feature. The emotional performances
are heightened by a remarkable and moving score created by composer
John Corigliano. The composer delivers a score that imparts a haunting
voice to the violin. It is a diversified and compelling voice that
achieves in making this inanimate object a forceful character. THE
RED VIOLIN is an unparalleled gentrification of genres and storytelling
devices. Girard's incomparable vision creates a compelling epic
tale. John Corigliano's score adds another dimension to this sumptuous
feast for the eyes and ears. Visuals and score come together in
a film that is a cinematic masterpiece best savored in a grand movie
house.
OFFICIAL WEB SITE:
INFO TO COME
BACK
|
OVERALL
WORTH
based on
a manhattan price
of $9.50
|
|
| STORY |
$9.50 |
| ACTING |
$9.50 |
| DIRECTING |
$9.50 |
PRODUCTION
DESIGN |
$9.50 |
SPECIAL
EFFECTS |
$9.50 |
| SCORE/MUSIC |
$9.50 |
| "REAL"
VALUE |
$9.50 |
SUMMARY:
A sumptuous cinematic feast for the ears and the eyes!
|
|
CREDITS:
CREW: Director/Co-Screenwriter - Francois
Girard; Co-Screenwriter -
Don McKellar; Producer - Niv Fichman; Cinematographer - Alain
Dostie; Score - John Corigliano; Production Designer - Francois
Seguin; Costume Designer - Renee April. CAST: Nicolo Bussotti
- Carlo Cecchi; Anna Bussotti - Irene Grazioli; Cesca - Anita
Laurenzi; Georges Poussin - Jean-Luc Bideau; Kaspar Weiss
- Christopher Koncz; Anton Von Spielmann - Florentin Groll;
Prince Mansfeld - Arthur Denberg; Frederick Pope - Jason Flemyng;
Victoria - Greta Sacchi; Sara - Eva Marie Bryer; Xiang Pei
- Sylvia Chang; Vhou Yuan - Liu Zi Feng; Charles Morritz -
Samuel L. Jackson; Auctioneer - Colm Feore; Madame Leroux
- Monique Mercure; Evan Williams -
Don McKellar.
|
|
|
|