MOVIES  
 

THE RED VIOLIN
A Lions Gate Films release

review by Joe Mauceri

THE RED VIOLIN draws its cinematic narrative for the rich European storytelling tradition of books like "The Canterbury Tales" and "The Decamaron." The film employees a storytelling devise too often exploited by genre films, and not used as effectively as it is here. THE RED VIOLIN is a skillfully crafted, grand cinematic experience. Girard's multinational production recounts the tale of the fabled red violin, the last instrument crafted by Nicolo Bussotti. The film begins as they put the violin on the block at the auction house. The story interweaves the instrument's travels around the world with the mystery behind its origins. The travels allow the audience a better understanding of what the bidders' connections are to the violin. The past collides with the present as Bussotti's housekeeper uses a deck of Tarot cards to foretell the future. Like any good epic, they have wrapped tragedy in a mystery, and it is all bound with a slight dash of the supernatural. Girard crafts his scenes with a skill and grace that creates cinematic poetry. The director's style unites the different stories he chooses to tell. However, subtle differences allow each vignette a slight distinctiveness that does not interfere with the homogeneous nature of the film. Girard manipulates the narrative and visuals to build suspense. He orchestrates the elements like an opera or theatrical tragedy. As the credits roll, one feels compelled to jump to their feet and shout bravo. The international cast of talent ignites the screen. There is a wealth of talent that they rarely bring together for a single feature. The emotional performances are heightened by a remarkable and moving score created by composer John Corigliano. The composer delivers a score that imparts a haunting voice to the violin. It is a diversified and compelling voice that achieves in making this inanimate object a forceful character. THE RED VIOLIN is an unparalleled gentrification of genres and storytelling devices. Girard's incomparable vision creates a compelling epic tale. John Corigliano's score adds another dimension to this sumptuous feast for the eyes and ears. Visuals and score come together in a film that is a cinematic masterpiece best savored in a grand movie house.

OFFICIAL WEB SITE:
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OVERALL WORTH
based on a manhattan price
of $9.50
STORY $9.50
ACTING $9.50
DIRECTING $9.50
PRODUCTION
DESIGN
$9.50
SPECIAL
EFFECTS
$9.50
SCORE/MUSIC $9.50
"REAL" VALUE $9.50

SUMMARY:
A sumptuous cinematic feast for the ears and the eyes!

CREDITS:

CREW: Director/Co-Screenwriter - Francois
Girard; Co-Screenwriter -
Don McKellar; Producer - Niv Fichman; Cinematographer - Alain Dostie; Score - John Corigliano; Production Designer - Francois Seguin; Costume Designer - Renee April. CAST: Nicolo Bussotti - Carlo Cecchi; Anna Bussotti - Irene Grazioli; Cesca - Anita Laurenzi; Georges Poussin - Jean-Luc Bideau; Kaspar Weiss - Christopher Koncz; Anton Von Spielmann - Florentin Groll; Prince Mansfeld - Arthur Denberg; Frederick Pope - Jason Flemyng; Victoria - Greta Sacchi; Sara - Eva Marie Bryer; Xiang Pei - Sylvia Chang; Vhou Yuan - Liu Zi Feng; Charles Morritz - Samuel L. Jackson; Auctioneer - Colm Feore; Madame Leroux - Monique Mercure; Evan Williams -
Don McKellar.