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THE
PATRIOT
A
Columbia Pictures release
review
by C.J. Henderson
SYNOPSIS:
The scene is South Carolina. The year, 1776. The movie opens on
the home of Benjamin Martin (Mel Gibson), a former hero of the French
and Indian War who has renounced his violent ways to raise a family
and live out his days in peace. His wife dead for several years,
his hope is that he will be able to raise his seven children without
her. But, rebellion is in the air and a far greater war is in the
offing. And, if he were to fight this time, it wouldn't be as a
British officer against untrained savages. This time it would be
as one of the savages facing the British--the mightiest army on
the face of the Earth. Martin wants no part of another war, but
the conflict is inevitable, and bit by bit the one-time warrior
sees his family torn apart until he has no choice but than to take
up the cause of freedom and fight once more.
REVIEW: All I can say is, this has been a hell of
a summer for movies, and we're not even into July. "Gladiator" was
one thing, but Columbia's epic "The Patriot" is an astounding work
that will be packing them in for weeks. Lots of folks might be surprised
to learn that the film was produced and directed by Roland Emmerich
and Dean Devlin, the same team responsible for such films as "Star
Gate," "Independence Day" and the 1998 version of "Godzilla."
Folks may wonder why they thought to tackle such different, more
weighty, material. In many ways, this movie isn't all that different
from their previous successes.
Devlin and Emmerich have always told stories about incredibly large
events by focusing on the lives of the ordinary people living through
them. The American war for independence may not be science fiction
to us, but it was at the time. No people in all of recorded history
had ever fought to establish a democratic society. For men to dare
to think they could rule themselves, to forego the safety of the
divine rule of a king or emperor, was thought to be more than science
fiction, it was thought to be utter madness.
By focusing on the character of Benjamin Martin, the filmmakers
are able to highlight the meaning of the revolution to the common
man--the man who had done his duty, the parent with too much too
risk, the moralist plagued by questions of conscience. And, by getting
Mel Gibson to play the role, they capitalize on a career spent perfecting
the reluctant hero. >From the "Mad Max" films to "Braveheart," Gibson
has created a string of conscience-driven warriors who stride across
our memory with a nobility second to none in the modern cinema.
"You don't have to go very far to realize that history quickly
repeats itself," Gibson told us. "Century by century, decade by
decade, it's different players but the same story playing itself
out, with all its ugliness and glories, all its victories and defeats.
This kind of story has been told since people have been dwelling
in caves ... it's that combination of the ordinary and the divine
that inspires us and makes something really hit home for us, I think.
Those are the kinds of stories that I like."
Mel's not the only one. Audiences have ponied up plenty to see
his past performances when they dealt with such archetypes, and
it's a safe bet they'll be doing so again. Of course, there will
be a lot of comparisons between "The Patriot" and "Braveheart."
Try not to read them. They'll only give away too much of a movie
you simply have to see for yourself. Yes, there are similar moments
in both pictures, as there are similar moments in many movies about
pre-1900 wars.
Getting to the point, you simply don't want to miss "The Patriot."
Yes, the battle scenes are as graphic as those in "Braveheart."
Swords spray blood, bayonets pierce chests, bullets shatter limbs,
cannonballs take off heads. War is like that.
For those who find such things too much to bear, it's understandable
that you might want to sit this one out. For everyone else, however,
this is the picture to see right now. The special effects are stunning.
John Williams' soundtrack is powerfully evocative. The panoramic
shots of bays filled with tall ships, of Southern grandeur and of
staggering battles are nearly impossible to take in during a single
viewing.
OFFICIAL
WEB SITE:
http://www.thepatriot.com
BACK
|
OVERALL
WORTH
based
on a Manhattan price
of
$9.50 |
| STORY |
$9.50 |
| ACTING |
$9.50 |
| DIRECTING |
$9.50 |
PRODUCTION
DESIGN |
$9.50 |
SPECIAL
EFFECTS |
$9.50 |
SCORE/MUSIC
SONGS |
$9.50 |
| "REAL"
VALUE |
$9.50 |
SUMMARY:
Sometimes
it's just simply great to be a movie critic. "The Patriot"
is a stunning success. You will cheer, cry and applaud.
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| CREDITS:
CREW:
Director/Producer
-Roland Emmerich; Screenplay - Robert Rodat; Producers - Dean
Devlin & Gary Levinsohn; Cinematographer - Caleb Deschanel;
Score - John Williams;
Production
Designer - Kirk M. Petruccelli; Art Director - Barry Chusid;
Costume Designer Deborah Lynn Scott; Special Effects Makeup
- Bill Johnson; Special Effects Supervisor - Ron Colucci;
Special Effects Studios - Centropolis Effects, MagicMove &
Magicon.
CAST:
Mel
Gibson... Benjamin Martin; Heath Ledger... Gabriel Martin;
Joely Richardson... Charlotte Selton; Jason Isaacs... Col.
William Tavington; Chris Cooper... Col. Harry Burwell; Tchéky
Karyo... Jean Villeneuve; Rene Auberjonois... Reverend Oliver;
Lisa Brenner... Anne Howard; Tom Wilkinson... General Cornwallis;
Donal Logue... Dan Scott; Leon Rippy... John Billings; Adam
Baldwin... Capt. Wilkins; Gregory Smith... Thomas Martin;
Mika Boorem... Margaret Martin; Skye McCole Bartusiak... Susan
Martin; Trevor Morgan... Nathan Martin; Logan Lerman... William
Martin; Michael Neeley... Marquis de Lafayette; Bryan Chafin...
Samuel Martin; Terry Layman... Gen. George Washington.
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