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THE
IN-LAWS
A Warner
Bros. Release
review
by Joseph B. Mauceri
SYNOPSIS:
Dr. Jerome Peyser (BROOKS) is a mild-mannered podiatrist who lives
by a well-organized daily routine in order to eliminate stress.
He's the kind of guy who wears a fanny pack, where he keeps a sanitary
drinking cup in case he needs a sip of water away from home, a couple
of Lorna Doones in case his blood sugar slumps a few points between
meals, and a personal security alarm.
Then
there is his daughter's future father-in-law, Steve Tobias (DOUGLAS).
A daredevil CIA operative, his average day consists of dodging bullets,
stealing private jets and negotiating with international arms smugglers.
Steve's unpredictable lifestyle has driven his ex-wife Judy (BERGEN)
to an ashram to try and find some peace and has strained his relationship
with son Mark (REYNOLDS).
The
prospective fathers-in-law meet for the first time to celebrate
their children's upcoming marriage, and things spiral out of control
from there. Steve makes a dramatic exit for the restaurant's
washroom, where Jerry overhears Steve's cryptic references to a
Russian runaway named Olga and witnesses his fight with a gunman.
Before Jerry can call off the wedding, he suddenly finds himself
embroiled in the chaos that follows in Steve's wake as he is dragged,
kicking and screaming, into a series of perilous adventures that
take the mismatched in-laws-to-be halfway around the world.
REVIEW:
THE IN-LAWS is, literally, a retelling of the 1979 Arthur Hiller
film that starred Peter Falk and Allan Arkin. Hiller directed many
great comedies, such as "The Out-of-Towners" and "Silver Streak"
in addition to numerous other memorable films. Yes, he is the Academy
Award nominated director of "Love Story." Being just shy of 25 years,
is it time for the retelling of this classic?
I use
the word "retelling" because the plot employs the basic setup of
the original, but makes major changes in the rest of the story.
Douglas' character still works for the government, and Brooks' part
is still in the medical profession, a podiatrist instead of a dentist.
The screenwriters have come up with new gags and a contemporary
threat. They've given Douglas and Brooks a chance to play off each
other in a dynamic that is a bit "The Odd Couple" with an interaction
that is a bit like the "Lethal Weapon" films.
However,
director Andrew Fleming doesn't have the budget of a "Lethal Weapon"
film to work with. This is the first real Îaction" film for Fleming,
whose previous films include a horror film, "Bad Dreams," and a
romantic comedy, "Threesome." The action in THE IN-LAWS comes mostly
from the interaction between Douglas and Brooks. As the "undercover
agent," Douglas gets to play a little in an action sequence that
opens the film, and it unfolds with Paul McCartney's "Live and Let
Die" playing in the background. However, it plays out more like
a Steve McQueen car chase than a "Die Hard" film. There's another
"big" sequence for the climax but, again, it's a bit tame by today's
standards. In fact, the special effects have a look and a feel that
aren't up to snuff with even some of the simplest effects being
done on television today.
Given
what he has to work with which, for the most part, is a great cast,
Fleming does an admirable job of delivering a delightfully entertaining
film. He keeps the camera focused on Douglas and Brooks and lets
their charisma carry the film. The rest of the cast takes a back
seat to the duo, but Candice Bergen and David Suchet come up with
memorable performances that steal a bit of Douglas' and Brooks'
thunder. The bits between Douglas and Bergen, and Brooks with Suchet,
are some of the funniest moments in the film. I felt there just
wasn't enough of Bergen and Suchet in the film.
I was
mildly optimistic entering the theater and left, thinking, THE IN-LAWS
was better than I'd expected it to be. Still, the film left me with
this television "movie of the week" feeling that had me wondering
if it is really worth the high price of a ticket these days. Still,
a more adult film than can usually be found at your local cinema
for this time of year, it is easily worth the price of a "bargain
matinee."
OFFICIAL
WEB SITE:
www.thein-laws.warnerbros.com
BACK
|
OVERALL
WORTH
based
on a Manhattan price
of
$10.00 |
| STORY |
$8.00 |
| ACTING |
$10.00 |
| DIRECTING |
$9.00 |
PRODUCTION
DESIGN |
$6.00 |
SPECIAL
EFFECTS |
$6.00 |
SCORE/MUSIC
SONGS |
$6.00 |
| "REEL"
VALUE |
$7.50 |
SUMMARY:
A
great cast with lots of chemistry is brought together in this
updating of a comedy, but its production designs give it a
television movie-of-the-week feel.
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CREDITS:
CREW:
Director
- Andrew Fleming; Based on the Screenplay ÎThe In-Laws' by Andrew
Bergman; Screenplay - Nat Mauldin & Ed Solomon; Producers
- Bill Gerber, Elie Samaha, Joel Simon, & Bill Todman Jr.;
Cinematography - Alexander Gruszynski; Score - Lalo Schifrin;
Production Design - Andrew McAlpine; Art Direction - Dennis
Davenport; Costume Design - Deborah Everton; Visual Effects
- Cinesite.
CAST:
MICHAEL DOUGLAS... Steve Tobias; ALBERT BROOKS... Jerry Peyser;
CANDICE BERGEN... Judy Tobias; RYAN REYNOLDS... Mark Tobias;
ROBIN TUNNEY... Angela Harris; LINDSAY SLOANE... Melissa Peyser;
MARIA RICOSSA... Katherine Peyser; DAVID SUCHET... Jean-Pierre
Thibodoux; A. RUSSELL ANDREWS... Agent Will Hutchins; KC HARRY
WAYNE CASEY... Himself.
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