| |
SESSION
9
A USA Films
release
review
by Joseph B. Mauceri
SYNOPSIS:
Gordon Fleming and his Hazmat Elimination crew are award the daunting
task of asbestos removal at the Danvers State Mental Hospital. In
order to win the contract, Fleming under bids the job and promise
completion in 1 week, a schedule he and his crew chief Phil don't
see eye-to-eye on. A rather lucrative job, which will help to support
his wife and baby, Fleming promises his five men crew a hefty bonus
to bring it in on time. So the suit up into their protective gear
and head into the vast spaces and eerie corridors of the asylum.
As the work continues, the crew is drawn into the mysteries of the
place. It holds many dark secrets, but then so do each of these
men. As the pressure mounts as the weight of the asylum bears down
upon them. As the awful truths are rising to the surface. Which
of these men will be the first to crack.
REVIEW:
I've had the pleasure of seeing director Brad Anderson's feature
"Next Stop Wonderland," and his 1993 short "Frankenstein's Planet
of Monsters." So while I have to declare the virtues and talent
of this filmmaker who Variety named one of their "10 Directors to
Watch" in 1997, I should also point out that the truly remarkable
talent in SESSION 9 is the location - Danvers State Mental Hospital.
Anderson's
screenplay was shaped by his location right from the beginning.
He doesn't simply rely on the look of the location, but delves into
its infamous history to extract the backdrop for his tale. I've
seen some amazing sets in my time, but nothing compares to the stark
reality of this abandoned asylum.
Let
me shine the spotlight back on Anderson. Anyone could have walked
into his place and shoot a scary film. Anderson kicks it up to notches
unknown! He employees a very simple hook to introduce strong characters
- which are brought to life by an amazing cast headed by David Caruso
and Peter Mullan - into this nightmare setting. He peals back their
thin layers, masked by their strength, and shows the audience their
vulnerability. Through his directing and editing skills he builds
suspense and dread, shaping into pure, white-hot terror. As he approaches
the climax, he flips the world of these blue-collar characters on
its head. It's a well-orchestrated symphony of direction, editing,
sound design and music. You can feel your eyes bulge with horror
as you watch the events unfold.
The
power of SESSION 9 comes from the basic principles of psychological
terror. The director gives us but the briefest glimpses of the decadence
and decay that lives behind the asylum's facade. We can feel the
presence of evil here in a fashion that is reminiscent of Polanski's
"Rosemary's Baby," but it is a more subtle sinister presence at
work that breathes like the door in Robert Wise's "The Haunting."
The blood and gore are present on a meager level, much in the same
way audiences remember "Texas Chainsaw Massacre" being bloodier
then it is. And just like that film, and the more recent "Blair
Witch Project," Anderson allows some of the corruption to leech
off the screen and into the theater. SESSION 9 has an infectious
weirdness that lingers on the audience.
When
we think of the glut of wanna- be scary films that have made their
way into the multiplexes across America they all too often deliver
very little boos for the buck. The major frights that have called
us into the darkness and asked us if we wanted to see something
truly scary have come from the artistic young visionaries who dwell
in the land of independent filmmakers. These are the pioneers who
find ways to divest themselves of the costly special effects and
tapp into the wellspring of the human psyche, and the monsters that
reside there. SESSION 9 is one of those rare moments when talent,
screenplay and location all come together in away that it will chill
audiences for generations to come. So for all you brave hearted
adventures who are looking for a good scare let this review serve
as fair warning that "there be monsters ahead" if you dare to enter
the Brad Anderson's nightmare - SESSION 9.
OFFICIAL
WEB SITE:
http://www.sessionnine.com/
BACK
|
OVERALL
WORTH
based
on a Manhattan price
of
$9.50 |
| STORY |
$9.00 |
| ACTING |
$9.50 |
| DIRECTING |
$9.50 |
PRODUCTION
DESIGN |
$9.50 |
SPECIAL
EFFECTS |
$7.00 |
SCORE/MUSIC
SONGS |
$9.50 |
| "REAL"
VALUE |
$8.92 |
SUMMARY:
A
truly gritty and urban horror story that lingers in your psyche
long after you leave the theater. It draws on the grand tradition
of classics like "Texas Chainsaw Massacre" and "Don't Look
Now," to the more modern "The Blair Witch Project."
|
| CREDITS:
CREW:
Director/Screenplay/Editor
- Brad Anderson; Screenplay - Stephen Gevedon; Producers -
David Collins, Dorothy Aufero & Michael Williams; Cinematographer
- Uta Briesewitz; Score - Climax Golden Twins; Production
Designer - Sophie Carlhian; Costume Designer - Aimee E. McCue;
Visual Effects Supervisor - Peter Kuran; Visual Effects -
VCE.COM.
CAST:
DAVID
CARUSO... Phil; STEPHEN GEVEDON... Mike; PAUL GUILFOYLE...
Bill Griggs; JOSH LUCAS... Hank; PETER MULLAN... Gordon Fleming;
BRENDAN SEXTON III... Jeff; LONNIE FARMER... Voice of the
Doctor; SHELIA STASACK... Voice of Mary Hobbes.
|
|
|
|