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EYES
WIDE SHUT
A Warner Bros. release
review by
Joe Mauceri
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Dr. William
Harford and Alice Harford have been happily married for nine years.
The events at a holiday party entice the couple into a revealing
discussion of their sexual fantasies and inner most secrets. The
implications weigh heavy upon William. The death of a patient sends
him out into the night and on a mysterious quest. My description
of the setup might be a bit simplified, but what the director presents
is the cinematic equivalent of Nathaniel Hawthorne's "Young Goodman
Brown." Instead of the paranoia of witchcraft, Kubrick focuses on
society's complicated views on sex and sensuality. The cinematography,
editing and score feature Kubrick at the top of his form. The artistry
of his craft makes EYES WIDE SHUT a pleasure just to watch. The
lighting and production design work in tandem to create a surreal
feeling to William's/Cruise's night journey. His quest ends at a
secret Marque de Sade gathering. The costume designs and masks are
haunting, possessing a subliminal appeal. He employees a few pop
songs and classical pieces to enhance the ambience of scenes, but
Jocelyn Pook's score is remarkable. It is as memorable and powerful
as the score produced for the director's version of "The Shining."
Kubrick's painstaking attention to detail is evident in the highly
stylized performances delivered by Cruise and Kidman. The director
exposes the complexity of his characters. Kidman runs the full gamete
of wife, mother, mistress, and seductress. Cruise adeptly creates
a mature man with the heart of an adolescent. He conveys the emotional
intricacies that evolve from his quest, selling the intensity of
the characters breakdown. What the couple achieves is augmented
by the fundamental supporting performances. Kubrick weaves it together
to seduce the audience into taking the journey. When people ask
me to recommend EYES WIDE SHUT, I'm hesitant. It's not that I have
problems with Kubrick's film, I'm not sure that the viewer will
approach the film from a particular frame of reference to appreciate
the film. At times, EYES WIDE SHUT has a certain European characteristic.
Kubrick achieves some marvelous atmospheric scenes that rival what
Bergman accomplished in black and white. Basic, simple truths and
situations drive the plot. However, is the directing of all the
elements at his disposal, and the performances, that makes it a
memorable cinematic experience. EYES WIDE SHUT is a wonderful addition
to an amazing body of work. I am not sure this is the film that
defines the directors career.
OFFICIAL WEB SITE:
www.eyeswideshut.com
BACK
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OVERALL
WORTH
based on
a manhattan price
of $9.50
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|
| STORY |
$8.00 |
| ACTING |
$9.50 |
| DIRECTING |
$9.50 |
PRODUCTION
DESIGN |
$9.50 |
SPECIAL
EFFECTS |
$9.50 |
| SCORE/MUSIC |
$9.50 |
| "REAL"
VALUE |
$9.50 |
SUMMARY:
an atypical & exceptional Hollywood film
/ not for special effect, action
or Adam Sandler fans!
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CREDITS:
CREW: Director/Screenplay/Producer - Stanley Kubrick; Screenplay
- Federic Raphael; Inspired by "Traumnovelle" by Arthur Schnitzler;
Executive Producer - Jan Harlan; Production Designers - Les
Tomkins & Roy Walker; Editor - Nigel Galt; Score - Jocelyn
Pook; Costume Designer - Marit Allen; Art Director - John
Fenner; Original Paintings - Christiane Kubrick & Katharina
Hobbs. CAST: Dr. William Harford - Tom Cruise; Alice Harford
- Nicole Kidman; Helena Harford - Madison Eginton; Victor
Ziegler - Sydney Pollack; Nick Nightingale - Todd Field; Sandor
Szavost - Sky Dumont; Mandy - Julienne Davis; Marion - Marie
Richardson; Domino - Viness Shaw; Milich - Rade Sherbedgis;
Milisch's Daughter - Leelee Sobieski; Desk Clerk - Alan Cumming
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