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DREAMCATCHER
A Warner
Bros. Release
review
by Joseph B. Mauceri
SYNOPSIS:
Twenty years ago, Jonesy, Henry, Pete, and Beaver found the courage
to heroically save a strange boy named Duddits, unexpectedly adding
a fifth friend to their group. As a sign of his appreciation and
friendship, Duddits conveyed to them uncanny powers, bonding them
all beyond ordinary friendship.
Now
the four are men live separate lives, with separate problems, but
are haunted by the memory of their heroism. Their powers have become
more a burden than a gift. A shocking accident almost claims Jonsey,
and it is somehow linked to their friendship to Duddits. After his
recovery, the four reunite for their annual visit to a hunting cabin
in the north woods. Their warmth and humor is overtaken by a gathering
doom as a stranger, a lost hunter unaware of the terrible contagion
he bears, enters their cabin. A vicious storm moves in and
covers something much more ominous. The four friends are forced
to once again summon their forgotten strength, seek out Duddits,
and confront an unparalleled horror.
REVIEW:
One can only hope that when a major literary force comes together
with a legendary director and a veteran screenwriter something extraordinary
will happen. In this case it should have, but I don't think King's
DREAMCATCHER was the right piece to begin with. First off, how do
you adapt a novel to the screen that has an entire chapter dealing
with a man shitting himself to death? Secondly, the novel is filled
with not so subtle coincidences of the author playing with the reader.
The plot, the locations and the characters' names all are part of
the subtext for that game. It's fun, if you get it all, but DREAMCATCHER
was one of the few unmemorable King novels.
Screenwriter
William Goldman has adapted King on two previous occasions, "Misery"
and "Hearts in Atlantis." Goldman distills Kings characters down
to their basic essentials, allowing an audience to identify with
them, and keeps a bit of the Kingisms to make them interesting and
unique. I read Goldman's DREAMCATCHER screenplay and loved it.
Now
enter Lawrence Kasdan. Watching the film credits, I noticed that
Kasdan got first billing for screenplay over Goldman. Kasden is
no slouch when it comes to a script. He's written most of the films
he's directed and he's written or co-written four of the most successful
pictures of all time -- "Raiders of the Lost Ark," "The Empire Strikes
Back," "Return of the Jedi," and "The Bodyguard." However, I don't
think he's right for King. Between his direction and writing, the
interaction between both the young and older four men seems unnatural
and forced. Also, the interaction between the military characters
seems stereotypical and, again, unnatural. Kasdan's direction captures
the epic feel to the locations and settings, but seems to come up
short for the film's big chase sequence. DREAMCATCHER has its frightening
and gross moments, but those also don't have enough of an edge to
them. The computer effects look quickly rendered, out of focus,
and the repetition in the sequence of the animals fleeing the forest
is just too obvious and it looks like a computer-generated effect.
Two
aspects preventing DREAMCATCHER from a total melt down are the actors
and the score. First, James Newton Howard's composition adds more
terror to the film than all the effects combined. He creates some
interesting movements within his score and blends them with contemporary
and classical sounds. Secondly, both the young and older men convey
the special bound of their friendship. Your drawn in because there
is something about each of their performances that makes them feel
like familiar figures from our daily lives. We maybe not be horrified
by the monsters they encounter on screen, but we can certainly relate
to the jeopardy and peril as friends try to help friends, as well
as that sense of loss.
DREAMCATCHER
is novel where you can't help but say to yourself, "You now, this
reads like someone trying to write a King novel!" Which leads me
to that age-old question. "Does every book have to be made into
a feature film?" Well, it can't be because Stephen King needs the
money! Please don't get me wrong, on the whole I enjoyed the film,
and that's coming from a sci-fi, horror, fantasy, and Stephen King
fan. However, DREAMCATCHER is a "B" movie brought to the screen
with "A" list talent and a big budget to match. Maybe, just maybe,
it would have been a better movie had it been a "B" movie all the
way.
OFFICIAL
WEB SITE:
http://dreamcatchermovie.warnerbros.com/
BACK
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OVERALL
WORTH
based
on a Manhattan price
of
$10.00 |
| STORY |
$8.00 |
| ACTING |
$9.00 |
| DIRECTING |
$8.00 |
PRODUCTION
DESIGN |
$9.00 |
SPECIAL
EFFECTS |
$8.00 |
SCORE/MUSIC
SONGS |
$9.50 |
| "REAL"
VALUE |
$8.58 |
SUMMARY:
Stephen
King's cliched novel seems even more so on the big screen,
but it still manages to offer a few thrills and chills.
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CREDITS:
CREW:
Director/Screenplay/Producer
- Lawrence Kasdan; Screenplay - William Goldman; Based on
the novel by Stephen King; Producer - Charles Okun; Cinematographer
- John Seale; Score - James Newton Howard; Production Designer
- Jon Hutman; Visual Effects Supervisor - Stefen Fangmeier;
Special Effects - Industrila Light & Magic, Asylum, and
XFX.
CAST:
MORGAN
FREEMAN... Colonel Curtis; THOMAS JANE... Dr. Henry Devlin;
JASON LEE... Beaver; DAMIAN LEWIS... Jonesy; TIMOTHY OLYPHANT...
Pete; TOM SIZEMORE... Owen Underhill; DONNIE WAHLBERG... Duddits.
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