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BAD
COMPANY
A Touchstone
Pictures release
review
by Joseph B. Mauceri
SYNOPSIS:
CIA operative Gaylord Oakes losses his best friend and agent, Kevin
Pope, when he outbids a rival group of buyers for a nuclear weapon
and they attempt to eliminate their competition. Oakes only hope
of obtaining this compact device is to transform Popes sarcastic,
streetwise punk identical-twin brother into a sophisticated spy.
He has nine days in which to accomplish this "mission: impossible"
or he will have to negotiate this rather sensitive deal solo.
REVIEW:
Okay, so Joel Schumacher almost single-handedly killed the Batman
franchise. But does that make him a "bad" director? You
might expect better from a native New Yorker, but what can you really
expect form a filmmaker who studied design and display at Parsons
School of Design? He's a window dresser for goodness sake! When
he takes a step back from the action, as he's proved with his Grisham
cinematic adaptations, to concentrate on characters he does a fine
job. But then he'll try something like a Kevin Andrew Walker (Seven)
screenplay, "8mm," and what should be an intense, edgy
film simply doesn't work.
So,
does working with a producer like Jerry Bruckheimer make a difference?
It certainly does. Bruckheimer is a "hands-on" producer,
and from the production information you sense that he was never
out of earshot of Schumacher. The film has a bit more interaction
then actual action, but no Bruckheimer is without a few big explosions.
The simplicity of the plot gives the filmmakers room to let their
actors work, and how could you go wrong with a cinematic duo like
Hopkins and Rock. It's a winning formula Bruckheimer employees constantly:
"The Rock," "Enemy of the State," "Crimson
Tide," etc.
Bruckheimer
brings a signature look to all his projects. The BAD COMPANY cinematography
is a combination of that typical Bruckheimer look ö the coldness
of his film "Enemy of the State" ö with the directorial
style Schumacher established in his films where he worked with Richard
Donner ö "The Lost Boys" and "Flatliners." Still
it's not surprising to learn that cinematographer Dariusz Wolski
worked with the producer before on the Tony Scott/Jerry Bruckheimer
action thriller "Crimson Tide." So when you consider the
basic plot elements of BAD COMPANY and "Enemy of the State,"
you would be polite in suggesting that COMPANY could possibly be
a sequel/spin-off.
Okay,
enough said. After all, McDonald's would not have served all those
billions of hamburgers if folks didn't find some comfort in finding
that Big Mac being served exactly the same way no matter where in
the world they are. What makes BAD COMPANY a new addition to the
menu is the seasoning of this tale by the talented actors, Rock
and Hopkins. The situation might be similar ö young gun and stoic
veteran ö but they bring their unique character traits that make
the film entertaining. Still, it seems that chemistry suffers a
bit to screen presence as Rock's "in-your-face" performance
unsuccessfully tries to mug Hopkins' of his screen time.
There
were rumors that the filmmakers had problems with the climax. There
are, but it's not so much a matter of story, but in the execution.
Everything prior to them running through the streets of Manhattan
is fine. However, once they had towards the bomb's location the
suspension of belief hits a wall. There are too many people standing
around watching them work. What should be a moment of crisis has
people standing around with smirks on their faces that say, "Hey,
is that Chris Rock and Anthony Hopkins! We must be in a movie!"
Also, there are folks in the shots with headsets that are obviously
production assistants, not police officers.
BAD
COMPANY is a film that probably looked better on the page then it
comes off in the execution. Fine performances, spy game action sequences
and special effect sequences simply don't elevate the material that
level of Bruckheimer summer blockbuster. Still, it's fine enough
as a bargain matinee to escape the heat on a hot summers day.
OFFICIAL
WEB SITE:
http://www.badcompany.movies.com
BACK
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OVERALL
WORTH
based
on a Manhattan price
of
$10.00 |
| STORY |
$5.00 |
| ACTING |
$8.00 |
| DIRECTING |
$6.00 |
PRODUCTION
DESIGN |
$9.00 |
SPECIAL
EFFECTS |
$9.00 |
SCORE/MUSIC
SONGS |
$9.00 |
| "REAL"
VALUE |
$7.67 |
SUMMARY:
It's
Hopkins! It's Rock! It's Bruckheimer placing western civilization
in jeopardy! Who you gonna call? Joel Schumacher! UGHHHHHHHH!!!!!???!?!?!?!?!?
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CREDITS:
CREW:
Director
- Joel Schumacher; Screenplay - Jason Richman & Michael
Browning; Story - Gary Goodman & David Himmelstein;
Producers - Jerry Bruckheimer & Mike Stenson; Cinematographer
- Dariusz A. Wolski; Score - Trevor Rabin; Production Designer
- Jan Roelfs; Costume Designer - Beatrix Pasztor; Art Director
- Wray Steven Graham; Visual Effects Supervisors - Nathan
McGuinness & Kathy Siegel; Visual Effects - Asylum.
CAST:
Gaylord
Oakes... ANTHONY HOPKINS; Jake Hayes/Kevin Pope... CHRIS ROCK;
Dragan Adjanic... MATTHEW MARSH; Seale... GABRIEL MACHT; Julie...
KERRY WASHINGTON; Jarma... ADONI MAROPIS; Nicole... GARVELLE
BEAUVAIS-NILON; Adrik Vas... PETER STORMARE; Agent Swanson...
BROOKE SMITH; Agent Carew... DANIEL SUNJATA; Agent Parish...
DEVON LAWSON,JR.; Agent McCain... WILLS ROBBINS.
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